. Over the mantel, set into an ornately carved panel with fluted columns at each end, was a portrait of a man on horseback. ‘Lucky I have you to keep me from Bedlam, then. Bulging out more in the middle than at the two extremities, it resembled an enormous cask set on its end, —a sort of Heidelberg tun on a large scale,—and this resemblance was increased by the small circular aperture—it hardly deserved to be called a door—pierced, like the bung-hole of a barrell, through the side of the structure, at some distance from the ground, and approached by a flight of wooden steps. “Is that okay with you? To go down to the station with him?” “I’ll go with him, Larry. He stole his chance and thrust his hand towards hers. . I don't believe he is much past forty. The Roof and the Window V.
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