However this may be, such was the ill report of the place that few passed along the Old Bailey without bestowing a glance of fearful curiosity at its dingy walls, and wondering what was going on inside them; while fewer still, of those who paused at the door, read, without some internal trepidation, the formidable name—inscribed in large letters on its bright brass-plate—of JONATHAN WILD. Entering the house, he found himself in a narrow passage leading to the back stairs. “Julian, please wait. “You did not tell me that you were going out, or I would have offered my escort. “As I have explained many a time, Lucia, the maladies of the blood and flesh do not afflict us. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare.
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