“I’ve gotta go. At this time of universal havoc and despair,—when all London quaked at the voice of the storm,—the carpenter, who was exposed to its utmost fury, fared better than might have been anticipated. It is for that reason that this novel begins with her there, and neither earlier nor later, for it is the history of this crisis and its consequences that this novel has to tell. It is quite outrageous of me to go about rescuing a damsel in distress—’ ‘Who does not in the least wish to be rescued,’ put in Melusine. Sheppard, somewhat alarmed by this preamble.
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