" Trenchard, meanwhile, whose gaze was fixed upon the boy, became livid as death, but he moved not a muscle. Nothing, however, could be discerned, except the crumbling brickwork. Anna lets the deception continue and has to bear the burden of her sister’s reputation which, in Paris at any rate, is that of being a coquette. Even an unlikely episode such as this could not be ignored. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. The man’s hand flashed out, but immediately afterwards an oath and a cry of pain broke from his lips.
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